for synth fans!

limited to 250 hand numbered copies.

the revolving eyes, aka cult dj duo rob n zoopsie should need no introduction to the more discerning fan of underground european disco. having recently resurrected their own moderne recordings label the duo bring their sophisticated party manoeuvres to wrong era for the first time. a five track e.p that touches on the classic sounds of chicago, electronica and wave with a distinctly european twist the belgian duo are a much welcomed addition to the family.

recently supporting the aforementioned marina & the diamonds, spark brings a healthy dose of pop to the indie scene, with her dancefloor cuts sparkling in a world full of dour, face to the floor guitar bands. her songs touch base with everyone thats made great pop in recent years - we are hearing splashes of la roux and the ting tings, and all powered along with some wonderful production that chooses subtlety over in-yer-face plug-in hell, unlike most shitty chart toss of the moment. this is a very special single from a big tip for 2011!

a blend of modern nu disco with a peak of italian horror movies influences in ajellos track added with the funky style of the revolving eyes. incredible, sweet and seductive...

italo influenced split ep. a side is hard, vocal, pounding dancefloor material, leaning towards the more wave style italo, while the flip is much more laid back and ideal for a midnight radio session.

great follow up on this belgium label, quality disco electro tracks inspired by dark euro wave, italo and deep fusion proto house with massive wooly basslines and moody 80s melodies. limited to 500 copies!

second release of the revolving eyes, contains four tracks of italo to disco inspired material and ranging from deeply emotional to pure dancefloor mayhem!!

goth / new wave

b-stock! cover with seam split. vinyl unaffected & mint. special anniversary release of the radiohead albums “kid a” and “amnesiac” plus bonus disc with b-sides, alternate versions and unreleased material. limited pressing on red coloured 3x12 inch vinyl.

special anniversary release of the radiohead albums “kid a” and “amnesiac” plus bonus disc with b-sides, alternate versions and unreleased material. regular pressing on black 3x12 inch vinyl.

new ep by mastermind andy ash

nose job returns with this killer compilation, who s who of local leftfield movers. outsider par excellence compilation w/ pm production, aidons antoine, fyoelk, different fountains, nobuo & actapulgite, vdr, liquid puma, bear bones lay low, rick shiver, the revolving eyes, antoine 80, reymour.

2020 reissue , 140g vinyl

leng starts the labels belated 10th anniversary celebration with a series of samplers.

lp + hand-numbered poster limited to 100 copies

initially a duo formed in berlin, fith have since multiplied and expanded to become a revolving collective of musicians and poets spread out across a paris/manchester/berlin axis

shaw cuts is happy to welcome a new face to the label squad: lazarus, a young producer from nuremberg, yields the perfect soundtrack for ‚the magic blade‘ with his debut record. the story begins with another clash between arch-rivals fu hung hsueh and yen-nan fei, two of the country’s most skilled swordsmen, both on a quest to number one. ‚rhea’ sets the perfect tempo for the duel with its heavyweight drums, revolving percussion and energetic pads. clanking swords are interrupted by the arrival of shady company – followers of the mysterious underworld swayer sent by master yu who wants yen-nan fei’s head. fu hung hsueh and yen-nan fei join forces, slaying the villains in seconds. ‚reverof nema‘ rolls in, its commanding rhythm and moody chords giving the swordsmen new force and vitality. yu wants to eliminate the swordsmen so that they never gain possession of the peacock-dart, an indestructible weapon with thanatophoric effects and the object of yu’s desires. but fu hung hsueh and yen-nan fei have already picked up the scent. bloody battles follow against more of yu’s entourage. the race against time is led by the energetic synth delirium and savage drums of ‚casio flex‘, leading hsueh and fei safely to the sublime weapon. the duo journey on, defending the peacock-dart until they reach yu’s temple. the final showdown. ‚overcome’ and its warped groove, warm synths and thundering drums bring master yu to his knees and the netherworld. but who was master yu? was it you? the myth lives on…

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track do you believe? poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called daytime disco through tracks like their cover of neil youngs harvest moon and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called slow down as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albums release, remixes for artists like matthew dear, little dragon and fools gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

after the first ep, that you must have heard in clubs across the world - laconica is back with its second. as with the first one, this release is all about the three solid cuts, which are made especially for the dancefloors. the first track “who gave you dis” is a deep groove in tandem with whispering vocals and powerful drums. “this for b” is a perfect minimalistic tool for after-hour sets. last but not least, “lil souvenir” (b2) is revolving around the chicago house feeling with some classic vocals in it.

dsordne (pronounced disordine) is a project from torino, italy that evolved as group out of the electronic experimental post punk project novostj in 1987. at the core of dsordne is marco milanesio, musical engineer and co-founder of the hax record label, joined by a revolving cast of musicians. their spectrum ranged from experimental to structured electro-poetry and soundtrack like instrumental electronic music. in 1987 they released their first track on a split-single with the legendary pink dots. between 1987 and 1994 they released 6 full length albums, 3 split-eps and appeared on various cassette compilations.

nat wendell launches the depth of my soul label with a confident slab of deepness that should draw plenty of heat on the peaks and troughs of the house music landscape. -the way- is a crisply produced pumper, revolving around a seductive little lead line and the haunting titular vocal hook - there s a whiff of tech in the make up of the track, but the groove is all house. -theoretics- follows down a similar path, keeping things moody and mechanical without disposing of the funk, and then it s down to -release your soul- to bring a little light into proceedings with some mellow keys and dubby flourishes.

sth. notional was a short-lived project that manifested in one album back in 1992, originally released on japanese label zero corporation. yawn yawn yawn focused primarily on various balearic-friendly mixes of the title track and some other scattered pieces, and now they ve received a much-needed spruce up from archeo recordings. the dream. another reality versions of yawn yawn yawn are laid back to the extreme, revolving around delicate instrumentation and occasional threads of speech and singing. there s a mellow beat behind the g-tar cannyon mix, and the thankful mix brings a weightier groove to the table. with the other tracks adding to this utterly smooth, early 90s shake, and spread across three discs, this is the holy grail reissue collectors have been waiting for.

emotional rescue and jamwax return to capo disco with the first ever-official release of a holy grail of the caribbean disco sound. fully licensed and remastered especially for this release, there is no now requirement for badly pressed rip offs. while little is known about the crashers, all leads point to an incarnation of the revolving “house” band of glen adams. as often the case, the floating nature of jamaican born labels, rhythm sections naming and renaming to fit occasions was endless.

late eighties, early nineties. a back-alley studio in antwerp where new beat and detroit techno lingered. trance was still in the house. electronic body and mind music, fuelled by common sense and primitive artificial intelligence. there was a buzz about wonka. elektrons revolving around atom. humanity firmly on the mappa mundi. labels and sub labels, one-off projects and alter egos, unsung heroes and soon-to-be stars. laurent garnier pushing ludovic navarre to pass on his tapes. all-night light from koenie’s basement. sven van hees entangled in liaisons dangereuses. jan van den bergh before lounge. jan vanneste spreading the news. jan berquin and nicolas rosquin going quadratic. usa import was ready to export its own music. antwerp bio techno. homegrown and uncut. these tracks are evergreens from that place and tim

we, florklang records based in japan are happy to present you ep of cool and frank! cool and frank’s debut is “golden wall- which sounds idm for 90’s music lover releasing from sleepers records. this time of cool and frank’s ep includes four tracks with radiated edgy sequences inspired by idm and also with dynamic acid sound base lines are intensely revolving. we recommend wide range of music funs who techno lovers for sure, acid, electro, idm lovers and more...

late eighties, early nineties. a back-alley studio in antwerp where new beat and detroit techno lingered. trance was still in the house. electronic body and mind music, fuelled by common sense and primitive artificial intelligence. there was a buzz about wonka. elektrons revolving around atom. humanity firmly on the mappa mundi. labels and sub labels, one-off projects and alter egos, unsung heroes and soon-to-be stars. laurent garnier pushing ludovic navarre to pass on his tapes. all-night light from koenie’s basement. sven van hees entangled in liaisons dangereuses. jan van den bergh before lounge. jan vanneste spreading the news. jan berquin and nicolas rosquin going quadratic. usa import was ready to export its own music. antwerp bio techno. homegrown and uncut. these tracks are evergreens from that place and time.

repressed on audiophile quality, 180 gram double vinyl. this second helping from the sessions that produced the preceding kid a will probably strike close listeners as a bit more structured, though it ll be difficult to determine whether thats simply because the peregrinations of the last album have prepared them for the trips to the outer limits taken here. those expecting a u2 like return to tuneful, anthemic guitar rock will have their hopes dashed upon a rock of colourful electronic experimentation and moody, studio enhanced madness.

smooth deep space techno four track ep with detroit inspired sounds. the ep kicks off with -last nite- - a beautiful and melodic techno track, revolving around a hypnotizing lead. -new beginnings- meanwhile is a deep and mysterious affair, magically combining soulful techno with more experimental leftfield sounds. the b-side starts with -track 13-, a finely crafted groover that grows into a melodic gem with an old-school detroit flavour to it. the ep ends with the deep yet euphoric -so far-, perfect for those early morning dj-sets. offering a perfect combination of deepness and driving energy, the ep is a versatile release guaranteed to get the dance floor moving. an impressive vinyl debut by lioness and a must have for all heads interested in deep, soulful and intelligent techno.

volphonie is the new label of chris honorat, resident and creator of the automatik events at the rex club in paris. with a dark and hypnotic music inviting to night-time voyage and introspection, volphonie is a label that chris wants at his image and in conformity with his techno religion. scan x, a pioneer of electronic live music in europe and laurent garniers sound engineer, provides the first release of the label with the track alien symphony, a piece in the artists purest tradition, a truly sound odyssey revolving around a deviant lead and heady. marcel fengler delivers an aerial remix faithful to the original spirit of the track, but even more hypnotic and captivating. keikari, one of the most promising artists among the new generation of french producers, imposes us his brutal and uncompromising version, while electric rescue, the most prolific french activist through his label skryptom, takes us to the rave with a mental techno that only him owns the secret.

a seriously jittery slab of hardcore raver material, this is perhaps fpl s most robust roast yet: filtered thru the heady history of classic 90’s hardcore techno and peak time trance euphorias, caffeine’s tracks showcase a viciously deft arrangement sensibility, utilizing a revolving door of precisely cut breaks, bubbly, effervescent pads and synth melodies, creamy sub-bass and loads of crispy vocal signifiers, imagine if the rza had listened to lots of orbital and early trance records and made this after liquid swords and you’re almost there.

reeeeal hip hop

(dj hyperactive, absent remix) one sound is highly effective in its simplicity, nothing is superfluous on this grooving, bass-laden beast,while ‘myth is a revolving stomper thats primed for the dancefloor with its layered beats and shining cymbals. adding another dimension to the ep are remixes from chicagos dj hyperactive and the antwerp based dj/producer, absent.

divination is the second lp to come from liam blackburns ancestral voices project. where his debut lp night of visions, reconstructed his rhythmic approach into a primal framework, divination sheds the beats almost entirely and focuses on soaring drones and liams refined approach to ambience. there is moments of tempered elation (revelation, inscriptions, cleromancy), contrasted with black hole soundtracks (geomancy, hieratic) with the overall feel of divination becoming a gently traversing voyage through a revolving mood-scape. with divination following more beat oriented ep’s for samurai music and horo, liam redefines the sound of ancestral voices with every release.divination is a glistening example of the singular voice he provides to electronic music.divination is pressed on crisp white vinyl 3x12inch housed in a deluxe full artwork sleeve with spot varnished runes exclusive to the lp version.

“cuidado madame”, arto lindsay’s first full-length album of new material since 2004’s salt. the album is titled after an infamous 1970 julio bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. the literal translation is “careful, madame.”
the album is produced by lindsay. it features melvin gibbs, paul wilson, kassa overall, patrick higgins, ryu takahashi and thiago nassif.
candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. the process began with recordings of atabaques in brazil. lindsay wrote melodies and lyrics over the rhythms in the studio in brooklyn.
the album is an exploration of the cultural nexus of afro-brazilian spirituality and western modernity.

recorded in haiku-pauwela, maui between 3rd febraury and 14th february 2016 anthony child aka surgeon presents the second volume of recordings of buchla music easel recorded in the jungle of maui. again we find child s in a more ambient guise and setting as the calm breath of the jungle sets a real time back-drop for his electronic explorations. there is no additional layering and all environmental sounds simply occurred throughout the improvisations. the range on display veers from melodic drones to sparkling arpeggios all revolving around a thick bed of (buchla) electronic and (environmental) acoustic interplay. nine personality type map hovers on a bed of syncopated rhythms whilst the nearby sonic mist of the forest seeths in and out of the frame whilst nightfall of diamonds provides a sonic analogy for the darkness and light contradiction that occurs only in such rich natural environments. the simultaneous acts of improvising, listening and creating provide a rich setting for the curious listener. another gem in a catalogue filled with gold.

raderkraft is a project by willem stinissen, a young producer/musician from amsterdam, the netherlands.&#8232, his music is best described as electro minimal synthwave. raderkrafts love for this genre started as an implication of his punkrock background.&#8232,he s been fascinated by electro and synth music since the electro revival simplicity, minimalism, purity and d.i.y. mentality are the aspects of wave music raderkraft loves the most . raderkraft is a swedish word for power lines, in german raderkraft means revolving power raderkraft loves to use repeating and revolving sounds in his music.

having earned himself the status as one of madrids hottest techno-exports, regal is back on figure with a special ep comprising both new works from him plus two creative re-interpretations by none other than radio slave. original and remix rub shoulders on the records a-side, both revolving around its enticing vocal hook. while regal employs a skipping beat and skittish percussion to conjure up an air of mystery, radioslave crawls down further the rabbits hole and uncovers the track’s slumbering lunatic qualities. on the flipside regal is back in full control, albeit this time operating in a framework a tad more housy than usual: snappy snares slice up the bubbling acid-line on the fast whirling while its eponymus vocal sample ironically asks ‘did you see it?’. equally aptly-titled slab barges right in, wielding hefty drums and a bassline that oozes groove out of every loop. as part of the digital release, the ep comes with another atmospheric radioslave-rework of from other sounds, leaning on the ambient and heavy on the subs

nice price deal !!! the development of the docile sound has evolved at its own pace over time. the assembly of sound is an intuitive process, and the acceptance of errors is a vital part of the docile working method. docile is a labor of love that takes a stand against mass produced music that an artist is well removed from. docile has a hands-on dedication to every part of the vinyl process to ensure what you get is a legitimate effort. team docile are craftsmen that use their collective skills to produce vinyl with a unique quality and sense of style. the over all sound of docile #20 can be described as soulfully dark, immature, and lovesick amid a funky party atmosphere. the personalities of each track nudge you to its direction with simple grooves that tell stories that are felt without words. these are tracks of moving detroit minimal that stutter, break and turn with a basic efficiency. tracks that share a dark irony in root, but somehow glitch towards a positive. docile looks inward for inspiration and describes its self in this revolving time and place.

copenhagen based music for dreams are proud to unleash the debut album of swedens prins emanuel. the first full length solo album of prins emanuel is a concept album revolving around the medium of the vinyl record itself. with a functionalists attitude, its two sides can serve two different purposes. translated from swedish, the album title reads “work/leisure time”: which are the moods the two sides are meant to reflect.

‘synth wave volume 1’ is the flagship vinyl compilation album of some of the world’s freshest innovative electronic music. electro, synth pop, electro pop, darkwave... collectively we call it synth wave.

first outing for newly minted glasgow-based label work for love. the inaugural strike comes from none other than timothy j fairplay, the synthesizer warlock known for his involvement in the axis, a loose unit comprising of mutual interests revolving around the studio complex timothy shares with andrew weatherall and his own partner in crimes of the future scott fraser.

loveland are one of the longest running quality event promoters of the netherlands. as music has always been their reason to live it made sense to launch a record label after 20 years in the business. most artists on this release have a special bond with loveland built up over many years of performing at their events and in some cases from the very start of their carreer. the vinyl showcases 7 exclusive tracks on two 12?discs. from the bright and melodic sounds of egbert, vince watson, arjuna schiks and dosem to the repetitive hypnotizing grooves of mathew jonson, anthony rother and aril brikha this release covers a wide scope of quality music.

joe ashworth has marked himself out as one to watch over the past year with a string of underground cuts on waze & odysseys street tracks label, notably his collaboration with citizen, situation. he brings his textured, melodic sound to anjunadeep for the first time with debut release rebound / whatever weather. on rebound he showcases a nuanced approach, deftly blending strong techno influences with a delicate ear for melody. the twinkling, sometimes discordant keys that rise and fall throughout demonstrate an enviable maturity in joes productions. whatever weather is one for the dancefloor, revolving around an infectious bassline groove that rolls beneath crisp drums and more gorgeous flowing piano

nice price deal !!! next up on the skudge white offshoot is swedish producer and autodidakt records label head daniel andréasson. here andréasson follows suit and unleashes four strictly analogue cuts, each with a different twist.
the pacey 130bpm *ble3* leads offs, revolving around some catchy melodic interplay whereas the tempo dips on *dither24* for a sluggish exercise complete with backpedals and ricocheting stabs. *whats up* is another cut spat straight out of the machines and dipped in acid whilst *shape%07* is a battery of analogue drums that will have you in knots.

ronde is a french label proposing to gather a group of artists for the production of vinyl records around the concept of infinitely revolving loops... this vinyl incl tracks from: vadim svoboda, sharp, edith progue, dscrd, cédric pigot and jow

while this album could have gone down a rather obvious route, with the remixers of the asphodells album *ruled by passion…*, andrew weatherall looked a little closer to home.
mainly revolving around the axis - the group of locally-based producers who can be spotted in and out of weatheralls shoreditch studio bunker - reworkings from the likes of phil kieran, scott fraser, hardway bros, justin robertson and ivan smagghe soon came to light.
this idea lead to a broad range of styles with something for everyone. we have stopped arguing in the office about which is the best track. they all are.

white vinyl. stromg limited. the new release by thomas kress, >utilize me<, is proper electro funk mixed with the modern era of growling bass lines, hypnotising sequences and technoid dynamics. the tracks compress dark synths, vocoderized voice-samples and impulsive arpeggios into a minimalist constructed and organic mesh of sound. featuring additional remixes by dynamik bass system and tecroc, the release includes a total of six tracks and presents a diverse spectrum of revolving electrophonic sound worlds.